The drama went on to play over 1500 shows all over Maharashtra and made Dada a star. The drama was named Vichha Majhi Puri Kara (Translation: Fulfill my Wish). Sabnis appreciated Dada's performance in Khankhanpurcha Raja (Translation: Bankrupt King), and agreed to write a modern Marathi language Tamasha or Loknatya ( folk play). Later, Kondke started his own theatre company, and approached Sabnis to compose a drama script for him. During this period came in contact with various Marathi stage personalities including writer, Vasant Sabnis. Kondke was involved in cultural activities of Seva Dal, a Congress party volunteers organization, where he started working in dramas. While working for the drama companies, Kondke toured throughout Maharashtra which helped him understand the local population's taste in entertainment.
Kondke started his entertainment career with a band and then worked as a stage actor. These events made him focus more on the lighter side of life and make people laugh.
He lost most of his immediate family to unfortunate events and the grieving process changed him profoundly. Kondke and his migrant family retained close connections to their rural roots.Īs a youngster, Kondke was a rough kid who later on took up job in a local grocery retail chain called Apna Bazaar. His family originally hailed from the village of Ingavali which was in the erstwhile Bhor State near Pune. Columbia capitalized on the resulting exposure in 1998 with the singles compilation The Good, the Better, the Best of Super Cat.Kondke was a born to and raised in a Koli family of cotton-mill workers in a chawl in Naigaon, near Lalbaug, Mumbai. While the album was another success, Super Cat really raised his profile in the pop mainstream with his guest shot on Sugar Ray's 1997 smash "Fly," which prominently featured his toasting skills. Super Cat's own fusion of dancehall, roots reggae, hip-hop, and R&B was next showcased on the proper follow-up to Don Dada, 1995's The Struggle Continues. The following year, he reunited with Nicodemus and Junior Demus, adding Junior Cat to make the resulting album The Good, the Bad, the Ugly, and the Crazy a four-way collaboration.
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Several high-profile TV and concert festival appearances followed, and Source magazine named Super Cat their Dancehall Artist of the Year for 1993. He secured a major-label deal with Columbia and landed the track "Nuff Man a Dead" on their compilation Dancehall Reggaespanol in 1992, he issued one of the first major-label dancehall albums, the acclaimed Don Dada.
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The self-produced album Sweets for My Sweet followed in 1988, as did a number of singles produced for other artists on the Wild Apache imprint Super Cat also teamed up with Nicodemus and Junior Demus for the first triple-team DJ album in dancehall history, Cabin Stabbin'.Įmboldened by success, Super Cat decided to move to New York City and attempt to crack the American market.
Settling for a short time on the Skengdon label, Super Cat recorded another album, Boops, but soon grew dissatisfied enough with the business aspect of recording to start his own label, Wild Apache Productions. A succession of singles for various labels followed, as did his debut album Si Boops Deh, which appeared on Techniques in 1985. Walker," recorded for the Techniques label and produced by Winston Riley. Super Cat made his recording debut in 1981 with the single "Mr. His first DJ name, Cat-a-Rock, was eventually switched to Super Cat due to the former's resemblance to the word "cataract" he also earned a secondary nickname, the Wild Apache. Interested in music from a very young age, Maragh was touring Jamaica with various sound system organizations by the time he was a teenager. A major figure in the positive-consciousness dancehall movement, Jamaican DJ/toaster Super Cat was born William Maragh in a ghetto section of Kingston known as Cockburn Pen or Seivright Gardens (the same area that produced DJ stars like U-Roy and Prince Jazzbo).
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